Esse

I  looked at that face, dumbfounded. The lights of métro stations flew by; I didn’t notice them. What can be done, if our sight lacks absolute power to devour objects ecstatically, in an instant, leaving nothing more than the void of an ideal form, a sign like a hieroglyph simplified from the drawing of an animal or bird? A slightly snub nose, a high brow with sleekly brushed-back hair, the line of the chin - but why isn’t the power of sight absolute? - and in a whiteness tinged with pink two sculpted holes, containing a dark, lustrous lava. To absorb that face but to have it simultaneously against the background of all spring boughs, walls, waves, in its weeping, its laughter, moving it back fifteen years, or ahead thirty. To have. It is not even a desire. Like a butterfly, a fish, the stem of a plant, only more mysterious. And so it befell me that after so many attempts at naming the world, I am able only to repeat, harping on one string, the highest, the unique avowal beyond which no power can attain: I am, she is. Shout, blow the trumpets, make thousands-strong marches, leap, rend your clothing, repeating only: is!


She got out at Raspail. I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.

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The user of a city picks out certain fragments of the statement in order to actualize them in secret.
Roland Barthes
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antbekesogiedra:

Czesław Miłosz

antbekesogiedra:


Czesław Miłosz

(Source: orchidscurse)

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slantedshanty:

Aram Saroyan

slantedshanty:

Aram Saroyan

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Remedios Varo, Embroidering the Earth’s Mantle, 1961

Remedios Varo, Embroidering the Earth’s Mantle, 1961

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mars
what do you call that little planet
where you are at

archy
well now what do you call it

mars
we call it goofus

archy
goofus goofus why goofus

mars
not long ago one of our prominent
scientists got a good look at it
with a new fangled telescope and
he laughed himself to death crying out
goofus goofus goofus all the time
he said from the way it looked it couldn t
be named anything else but goofus

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DEAD DUCK

DEAD DUCK

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coitusandcarnage:

Night Creatures, 1962

coitusandcarnage:

Night Creatures, 1962

(via omnia-sunt-communia)

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crystallizations:

Paul Klee, ‘The Protector’ 1926

crystallizations:

Paul Klee, ‘The Protector’ 1926

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wtf is affect

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To have a body is to learn to be affected, meaning ‘effectuated,’ moved, put into motion by other entities, humans or nonhumans. If you are not engaged in this learning, you become insensitive, dumb, you drop dead.
Bruno Latour
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Groups and individuals contain microfascisms just waiting to crystallize.
Deleuze & Guattari, A Thousand Plateaus
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